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The Vital Message by Arthur Conan Doyle

III THE GREAT ARGUMENT

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So much has been said here about mediumship that perhaps it would be well to consider this curious condition a little more closely. The question of mediumship, what it is and how it acts, is one of the most mysterious in the whole range of science. It is a common objection to say if our dead are there why should we only hear of them through people by no means remarkable for moral or mental gifts, who are often paid for their ministration. It is a plausible argument, and yet when we receive a telegram from a brother in Australia we do not say: "It is strange that Tom should not communicate with me direct, but that the presence of that half-educated fellow in the telegraph office should be necessary." The medium is in truth a mere passive machine, clerk and telegraph in one. Nothing comes FROM him. Every message is THROUGH him. Why he or she should have the power more than anyone else is a very interesting problem. This power may best be defined as the capacity for allowing the bodily powers, physical or mental, to be used by an outside influence. In its higher forms there is temporary extinction of personality and the substitution of some other controlling spirit. At such times the medium may entirely lose consciousness, or he may retain it and be aware of some external experience which has been enjoyed by his own entity while his bodily house has been filled by the temporary tenant. Or the medium may retain consciousness, and with eyes and ears attuned to a higher key than the normal man can attain, he may see and hear what is beyond our senses. Or in writing mediumship, a motor centre of the brain regulating the nerves and muscles of the arm may be controlled while all else seems to be normal. Or it may take the more material form of the exudation of a strange white evanescent dough-like substance called the ectoplasm, which has been frequently photographed by scientific enquirers in different stages of its evolution, and which seems to possess an inherent quality of shaping itself into parts or the whole of a body, beginning in a putty-like mould and ending in a resemblance to perfect human members. Or the ectoplasm, which seems to be an emanation of the medium to the extent that whatever it may weigh is so much subtracted from his substance, may be used as projections or rods which can convey objects or lift weights. A friend, in whose judgment and veracity I have absolute confidence, was present at one of Dr. Crawford's experiments with Kathleen Goligher, who is, it may be remarked, an unpaid medium. My friend touched the column of force, and found it could be felt by the hand though invisible to the eye. It is clear that we are in touch with some entirely new form both of matter and of energy. We know little of the properties of this extraordinary substance save that in its materialising form it seems extremely sensitive to the action of light. A figure built up in it and detached from the medium dissolves in light quicker than a snow image under a tropical sun, so that two successive flash-light photographs would show the one a perfect figure, and the next an amorphous mass. When still attached to the medium the ectoplasm flies back with great force on exposure to light, and, in spite of the laughter of the scoffers, there is none the less good evidence that several mediums have been badly injured by the recoil after a light has suddenly been struck by some amateur detective. Professor Geley has, in his recent experiments, described the ectoplasm as appearing outside the black dress of his medium as if a hoar frost had descended upon her, then coalescing into a continuous sheet of white substance, and oozing down until it formed a sort of apron in front of her.[5] This process he has illustrated by a very complete series of photographs.