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History of WiccaPage 6 of 6 | page 1 The history of Wicca is much debated. Gardner claimed that the religion was a survival of matriarchal Pagan religions of pre-historic Europe, taught to him by a woman known either as "Dafo" or "Old Dorothy". Doreen Valiente identified these as a single person, Dorothy Clutterbuck, [Valiente, Doreen (1984). The Search For Old Dorothy. In Farrar, J. & Farrar, S. The Witches' Way. London: Hale.] however modern researchers such as Philip Heselton have theorized that Dafo and Clutterbuck were two separate individuals. [Heselton, Philip (2003). Gerald Gardner and the Cauldron of Inspiration. Somerset: Capall Bann Publishing.] It has been posited by authors such as Aidan Kelly and Francis X. King that Gardner himself invented it, following the thesis of Dr. Margaret Murray and sources such as Aradia, or the Gospel of the Witches by Charles Godfrey Leland, [Leland, Charles G. [1899] (1998). Aradia, or the Gospel of the Witches. Blaine, Washington: Phoenix Publishing.] and incorporating practices of ceremonial magic. While Clutterbuck certainly existed, Ronald Hutton concluded that there was no evidence for her involvement in Gardner's Craft activities. [Hutton, Ronald (1999). The Triumph of the Moon: A History of Modern Pagan Witchcraft. New York: Oxford University Press.] Philip Heselton, citing more recent evidence, concludes that while Gardner may have been mistaken about the ancient origins of the religion, his statements about it were largely made in good faith. Gardner's account is as follows: After retiring from adventuring around the globe, Gardner encountered Clutterbuck and her New Forest coven in the region, and was initiated into the coven in 1939, where he stayed for years until England's witchcraft laws were repealed. At this point, and later claiming to fear that the Craft would die out, [Gardner, G. (1954), pp.18-19.] he worked on his book Witchcraft Today, releasing it in 1954, followed by The Meaning of Witchcraft in 1960. It is from these books that much of modern Wicca is derived. While the ritual format of Wicca is undeniably styled after late Victorian era occultism (even co-founder Doreen Valiente admits seeing influence from Crowley), the spiritual content is inspired by older Pagan faiths, with Buddhist and Hindu influences. Due to historical suspicions, it is seems very likely that Gardner's rites and precepts were taken from other occultists and was not in fact anything new to the world. There is very little in the Wiccan rites that cannot be shown to have come from earlier extant sources. The original material is not cohesive and mostly takes the form of substitutions or expansions within unoriginal material. Philip Heselton, writing in Wiccan Roots and later in Gerald Gardner and the Cauldron of Inspiration [Heselton, Philip (2003). Gerald Gardner and the Cauldron of Inspiration. Somerset: Capall Bann Publishing.], argues that Gardner was not the author of the Wiccan rituals but received them in good faith from an unknown source. He notes that all the Crowley material that is found in the Wiccan rituals can be found in a single book, The Equinox vol 3 no. 1 or Blue Equinox. Gardner is not known to have owned or had access to a copy of this book, although it is certain that he met Crowley towards the end of the latter’s life. Gardner admitted "the rituals he received from Old Dorothy's coven were very fragmentary, and in order to make them workable, he had to supplement them with other material." [Julia Phillips, "HISTORY OF WICCA IN ENGLAND: 1939 - present day." Lecture at the Wiccan Conference in Canberra, 1991] Some, such as Isaac Bonewits, have argued that Valiente and Heselton's evidence points to an early 20th century revival predating Gardner, rather than an intact old Pagan religion. The argument points to historical claims of Gardner's that agree with scholarship of a certain time period and contradict later scholarship. Bonewits writes, "Somewhere between 1920 and 1925 in England some folklorists appear to have gotten together with some Golden Dawn Rosicrucians and a few supposed Fam-Trads to produce the first modern covens in England; grabbing eclectically from any source they could find in order to try and reconstruct the shards of their Pagan past." Crowley published the aforementioned Blue Equinox in 1919. The idea of primitive matriarchal religions, deriving ultimately from studies by Johann Jakob Bachofen, was popular in Gardner's day, both among academics (e.g., Erich Neumann, Margaret Murray) and amateurs such as Robert Graves. Later academics (e.g. Carl Jung and Marija Gimbutas) continued research in this area, and later still Joseph Campbell, Ashley Montagu and others became fans of Gimbutas' theories of matriarchies in Old Europe. Matriarchal interpretations of the archaeological record and the criticism of such work continue to be matters of academic debate. Some academics carry on research in this area (such as the 2003 World Congress on Matriarchal Studies). Critics argue that such matriarchal societies never actually existed and are an invention of researchers such as Margaret Murray. This is disputed by documentaries such as "Blossoms of Fire" (about contemporary Zapotec society). Wicca has developed in several directions since it was first publicized by Gerald Gardner. Gardnerian Wicca was an initiatory mystery religion, admission to which was limited to those who were initiated into a pre-existing coven. The Book of Shadows, a workbook that contained the Gardnerian rituals, was kept secret and was only obtainable from a coven of proper lineage. Despite the fact that several versions of the Book of Shadows have now been publicly published, many traditions of Wicca still maintain strict secrecy regarding the book and certain other aspects of the religion. This article is licensed under
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