This Classic work is now copyright expired and therefore in the public domain. The Unknown Guest by Maurice MaeterlinckI. PHANTASMS OF THE LIVING AND THE DEAD
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But are there cases in which every link, however thin, however subtle we may deem it, is definitely shattered? Who would venture to maintain this? We are only beginning to suspect the elasticity, the flexibility, the complexity of those invisible threads which bind together objects, thoughts, lives, emotions, all that is on this earth and even that which does not yet exist to that which exists no longer. Let us take an instance in the first volume of the Proceedings: M, X. Z., who was known to most of the members of the Committee on Haunted Houses, and whose evidence was above suspicion, went to reside in a large old house, part of which was occupied by his friend Mr. G--. Mr. X. Z. knew nothing of the history of the place except that two servants of Mr. G--'s had given him notice on account of strange noises which they had heard. One night--it was the 22nd of September--Mr. X. Z., on his way up to his bedroom in the dark, saw the whole passage filled with a dazzling and uncanny light, and in this strange light he saw the figure of an old man in a flowered dressing-gown. As he looked, both figure and light vanished and he was left in pitch darkness. The next day, remembering the tales told by the two servants, he made enquiries in the village. At first he could find out nothing, but finally an old lawyer told him that he had heard that the grandfather of the present owner of the house had strangled his wife and then cut his own throat on the very spot where Mr. X. Z. had seen the apparition. He was unable to give the exact date of this double event; but Mr. X. Z. consulted the parish register and found that it had taken place on a 22nd of September.
On the 22nd of September of the following year, a friend of Mr. G--'s arrived to make a short stay. The morning after his arrival, he came down, pale and tired, and announced his intention of leaving immediately. On being questioned, he confessed that he was afraid, that he had been kept awake all night by the sound of groans, blasphemous oaths and cries of despair, that his bedroom door had been opened, and so forth.
Three years afterwards, Mr. X. Z. had occasion to call on the landlord of the house, who lived in London, and saw over the mantelpiece a picture which bore a striking resemblance to the figure which he had seen in the passage. He pointed it out to his friend Mr. G--, saying:
"That is the man whom I saw."
The landlord, in reply to their questions, said that the painting was a portrait of his grandfather, adding that he had been "no credit to the family."
Evidently, this does not in any way prove the existence of ghosts or the survival of man. It is quite possible that, in spite of Mr. X. Z.'s undoubted good faith, imagination played a subtle but powerful part in these marvels. Perhaps it was set going by the stories of the two servants, insignificant gossip to which no attention was paid at the time, but which probably found its way down into the weird and fertile depths of the subconsciousness. The image was next transmitted by suggestion to the visitor frightened by a sleepless night. As for the recognition of the portrait, this is either the weakest or the most impressive part of the story, according to the theory that is being defended.
It is none the less certain that there is some unfairness in suggesting this explanation for every incident of the kind. It means stretching to the uttermost and perhaps stretching too far the elastic powers of that amiable maid-of-all-work, telepathy. For that matter, there are cases in which the telepathic interpretation is even more uncertain, as in that described by Miss R. C. Morton in vol. viii. of the Proceedings.
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