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Dream Psychology by Sigmund Freud

III WHY THE DREAM DISGUISES THE DESIRES

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Towards the explanation of this statement, which is no theoretical postulate, it must be remembered that no other class of instincts has required so vast a suppression at the behest of civilization as the sexual, whilst their mastery by the highest psychical processes are in most persons soonest of all relinquished. Since we have learnt to understand _infantile sexuality_, often so vague in its expression, so invariably overlooked and misunderstood, we are justified in saying that nearly every civilized person has retained at some point or other the infantile type of sex life; thus we understand that repressed infantile sex desires furnish the most frequent and most powerful impulses for the formation of dreams.[1]

If the dream, which is the expression of some erotic desire, succeeds in making its manifest content appear innocently asexual, it is only possible in one way. The matter of these sexual presentations cannot be exhibited as such, but must be replaced by allusions, suggestions, and similar indirect means; differing from other cases of indirect presentation, those used in dreams must be deprived of direct understanding. The means of presentation which answer these requirements are commonly termed "symbols." A special interest has been directed towards these, since it has been observed that the dreamers of the same language use the like symbols--indeed, that in certain cases community of symbol is greater than community of speech. Since the dreamers do not themselves know the meaning of the symbols they use, it remains a puzzle whence arises their relationship with what they replace and denote. The fact itself is undoubted, and becomes of importance for the technique of the interpretation of dreams, since by the aid of a knowledge of this symbolism it is possible to understand the meaning of the elements of a dream, or parts of a dream, occasionally even the whole dream itself, without having to question the dreamer as to his own ideas. We thus come near to the popular idea of an interpretation of dreams, and, on the other hand, possess again the technique of the ancients, among whom the interpretation of dreams was identical with their explanation through symbolism.

Though the study of dream symbolism is far removed from finality, we now possess a series of general statements and of particular observations which are quite certain. There are symbols which practically always have the same meaning: Emperor and Empress (King and Queen) always mean the parents; room, a woman[2], and so on. The sexes are represented by a great variety of symbols, many of which would be at first quite incomprehensible had not the clews to the meaning been often obtained through other channels.

There are symbols of universal circulation, found in all dreamers, of one range of speech and culture; there are others of the narrowest individual significance which an individual has built up out of his own material. In the first class those can be differentiated whose claim can be at once recognized by the replacement of sexual things in common speech (those, for instance, arising from agriculture, as reproduction, seed) from others whose sexual references appear to reach back to the earliest times and to the obscurest depths of our image-building. The power of building symbols in both these special forms of symbols has not died out. Recently discovered things, like the airship, are at once brought into universal use as sex symbols.

It would be quite an error to suppose that a profounder knowledge of dream symbolism (the "Language of Dreams") would make us independent of questioning the dreamer regarding his impressions about the dream, and would give us back the whole technique of ancient dream interpreters. Apart from individual symbols and the variations in the use of what is general, one never knows whether an element in the dream is to be understood symbolically or in its proper meaning; the whole content of the dream is certainly not to be interpreted symbolically. The knowledge of dream symbols will only help us in understanding portions of the dream content, and does not render the use of the technical rules previously given at all superfluous. But it must be of the greatest service in interpreting a dream just when the impressions of the dreamer are withheld or are insufficient.

Dream symbolism proves also indispensable for understanding the so-called "typical" dreams and the dreams that "repeat themselves." Dream symbolism leads us far beyond the dream; it does not belong only to dreams, but is likewise dominant in legend, myth, and saga, in wit and in folklore. It compels us to pursue the inner meaning of the dream in these productions. But we must acknowledge that symbolism is not a result of the dream work, but is a peculiarity probably of our unconscious thinking, which furnishes to the dream work the matter for condensation, displacement, and dramatization.

[1] Freud, "Three Contributions to Sexual Theory," translated by A.A. Brill (_Journal of Nervous and Mental Disease_ Publishing Company, New York).

[2] The words from "and" to "channels" in the next sentence is a short summary of the passage in the original. As this book will be read by other than professional people the passage has not been translated, in deference to English opinion.--TRANSLATOR.